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Music Pioneer Thomas Dolby Becomes Johns Hopkins Professor

Thomas Dolby in Baltimore’s Parkway Theatre. Dolby will help lead an effort to transform the abandoned theater into a filmmaking hub.

March 5, 2014
FOR IMMEDIATE RELEASE
MEDIA CONTACT: Jill Rosen
Office: 443-997-9906
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Thomas Dolby, creator of the ’80s anthem “She Blinded Me With Science,” is joining Johns Hopkins University as the first Homewood Professor of the Arts.

Dolby has spent the decades since becoming a creative leader at the forefront of digital music, pioneering ways to merge music with film, technology and science.  At Johns Hopkins, starting in the fall, he will be teaching “Sound on Film,” a collaboration between Homewood’s Film and Media Studies program and the Recording Arts and Sciences program at the Peabody Institute where students create soundtracks for films.

Dolby will also be artistic director of a film and technology center Johns Hopkins is launching along with the Maryland Institute College of Art and the Maryland Film Festival in Station North, Baltimore’s nascent arts and entertainment district. The center will be a key facet of Johns Hopkins’ efforts to revitalize that neighborhood, which is located between the main campus and downtown Baltimore.

“This is a really thrilling opportunity to me. I love the city, I’m fascinated to meet the Johns Hopkins students and I know that they are a really interesting bunch, very, very committed but also very willing to stretch out,” said Dolby, whose father, grandfather and great grandfather were all professors at the University of Cambridge. “It’s going to be great to take my place in the faculty that already has a huge range of skills experience and to bring something very new to the table.”

Katherine Newman, the James B. Knapp Dean of the Krieger School of Arts and Sciences, calls Dolby’s arrival a “major event” for Johns Hopkins.

“He is an extraordinary musician, composer, and technology guru,” she said. “His creativity will infuse our Film and Media program as it moves to its new home in Station North, attracting the attention of the electronic music community and the television/film industry. And he will add strength to the Krieger School’s faculty as they work with Peabody colleagues to re-create the music major.”

With the 1982 release of his first album, The Golden Age of Wireless, Dolby became an unlikely pop star. His quirky video for the single “She Blinded Me With Science” received heavy rotation in the early days of MTV. In the New York Times, Stephen Holden called the album a “pop tone poem.”

Dolby released four acclaimed albums in the first 10 years of his solo career.  The last of these, 1992’s Astronauts and Heretics, was one of the first major studio albums to be completely engineered using a Macintosh home computer.

In 1994, Dolby founded Headspace, Inc. and created the Beatnik audio engine, an early software synthesizer. The product was designed as a component for video games, and Dolby immediately saw its potential for use in early web browsers.  While working with the founders of Netscape, Dolby licensed Beatnik to Sun Microsystems for use in the Java programming language.  Beatnik came to the attention of Nokia engineers, who sought a sound solution for their mobile phones.  Ultimately, ringtones proved the most robust market for the Beatnik audio engine, and by 2005 Dolby’s technology was in more than half of the world’s mobile phones.

Over two decades, Dolby adapted his musical vision to feature films, video games, and electronic sound technology. He has written scores for films by Ken Russell and Richard Brooks, and his music has been featured in dozens of films and television shows, from Mission Impossible III to Breaking Bad.

Dolby served as musical director for the TED (Technology, Entertainment, Design) conferences from 2001 to 2012. Last year he toured the United States, performing a live soundtrack to his award-winning documentary short, The Invisible Lighthouse, which he shot, scored, and edited himself.

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“Thomas Dolby’s superlative skills as composer, musician, sound designer, and filmmaker will enrich a number of fields at Hopkins and the Peabody Conservatory – from film and media studies to recording arts to computer science to business,” said Peabody Institute Director Jeffrey Sharkey.

Dolby’s appointment is made possible in part due to a grant from the Andrew W. Mellon Foundation. Last year, the foundation gave Johns Hopkins $1.2 million to launch a collaboration between the Krieger School of Arts and Sciences and the Peabody Institute – the Interdisciplinary Program in Music — and to support initiatives aimed at strengthening the integration of the arts into academic life.

“We are enormously grateful to the Mellon Foundation and the Faxon fund for practicing artists for supporting Krieger and Peabody,” Newman said, “and for helping us attract Dolby to Baltimore and to his new home at Johns Hopkins.”

 

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